NASLAH

*In Cairo slang, "Naslah" refers to a sharpened spoon used in prison for personal protection.

"The narrative of the protagonist who leads through this piece is a person who carries their life on their back and uses dance as a means to free themselves from old identities and stereotypes and to take the writing of their own story into their own hands."
Aly Khamees.

©Hitzigraphy

In his choreographic work, Aly Khamees uses the language of images, symbolism, and metaphors as well as the somatic experience of memories to elaborate movement qualities and create a vocabulary. He is interested in how to reach into the depths of our somatic memories and tap into new themes that may not yet be cognitively grasped. Moreover, Khamees is interested in how through movement practice our bodies become memoirs that tell us transmitted stories, far back to our ancestors. Through the language of the body, much is expressed in his experience as a dancer and choreographer that cannot be put into words. The result is a narrative that is authentically touching and invites the viewer to experience it.

“The knife is a symbol of tradition and at the same time a tool of inner resistance. Like a brush for the painter, the knife for the dancer is an instrument to express the inner life."
Aly Khamees

How do norms and stigmas become entrenched in our consciousness, and how can we break free from these inner prisons? Aly Khamees addresses these questions in his powerful and thought-provoking dance solo, Naslah*. Inspired by the rich tradition of Egyptian street dance with knives, which dates back to Pharaonic culture and is practiced on joyous occasions such as weddings as well as during rivalries in the form of competitions, the knives symbolize additional arms on the body with which the dancers cut or paint in the air to express their own soul voice. Fittingly, Naslah also takes inspiration from conversations with people of different backgrounds from Khamee's childhood neighborhood in Cairo and his adopted home in Zurich, which always revolved around the topic of discrimination based on origin or appearance. Khamees aims to tell the stories of people on the margins of society and open up new perspectives on global conditions through his choreography, stating that «In dance we can experience our common humanity»

Credits

Choreography & Performance: Aly Khamees
Co-Author, Production Management: Jelena Mair Composition & Music: Ahmed Saleh
Lighting Design: David Baumgartner
Coach & Outside Eye: Romain Guion
Dramaturgical Support Tanzhaus Zürich: Simon Fröhling

Production: Below The Skin
Co-Production: Tanzhaus Zürich
Partnerships: Roxy Biersfelden / DECAF Orient Production

Supported by: City of Zurich Culture, Canton of Zurich Culture Office, Ernst Göhner Foundation, Landis & Gyr Foundation, Anne-Marie Schindler Foundation, Swiss Performers Foundation SIS, Migros Culture Percentage

Team


Aly Khamees - Choreography and Performance

Aly Khamees is the artistic director of Below the Skin, a company he founded with his wife Jelena Mair in 2019. Khamees was born in Cairo in 1986 and is a choreographer, dancer and actor. He received his training in contemporary dance at the Cairo Contemporary Dance Workshop Program curated by Studio Emad Eddin and Laurence Rondoni (2008-2011). Khamees further developed his skills as a dancer and performer by collaborating with various dance companies in Europe and Egypt: Desent-Danse (2011-2013), Ultima Vez (2013/17), Homa Company (Monkey Fish Technique) (2013/14/17), to name a few. In 2013, he became a member of the International Dance Council. Currently living in Switzerland, Khamees has resumed his own work as a choreographer. He has benefited from important residencies in which he was able to develop his movement vocabulary Bullet and Knife and test the basic ideas for the solo piece Naslah: Pro-Helvetia residency Theatre L'Octagon (2020), Covid-19 working grant of the City of Zurich (2021/22), ATLAS - ImPulsTanz Festival Vienna (2021), Tanzhaus Zurich residency (2022), Mixed Pickles Roxy Birsfelden (2022). Bullet and Knife is inspired by Egyptian street dance, which Khamees brings into dialogue with contemporary dance and power movement. His most recent productions were: Breaches (Off Cairo Biennial Festival 2018), and The Absentee (2be Continued and DCAF Festival 2018). Khamees' work is interested in using the language of dance to speak about social challenges and issues, and to engage audiences in dialogue.

Jelena Mair - Co-Author, Production Manager, Diffusion

Jelena Mair is the creative director of the Below the Skin company and develops the artistic concepts in collaboration with Aly Khamees. Her professional background is diverse. She studied Expressive Dance and Art Therapy at the Tamalpa Institute in San Franciso (2006), received her Bachelor in Transdisciplinary Studies at the California Institute of Integral Studies (2008) and her Master in Peace and Conflict Transformation in Basel and Innsbruck (2015). She worked as a project manager in various start-ups and NGOs with a focus on peacebuilding, social inclusion and sustainability. She is currently deputy director for the transdisciplinary initiative School of Commons (schoolofcommons.org). Her personal interests and academic background are in the fields of human empowerment, social change, transgenerational trauma and resiliency. She is a certified Resiliency Coach (Organic Intelligence®). Already as a child she spent a lot of time at her mother's theatre, around the stage she feels at home. For her, art is an important means of personal and social transformation.

Ahmed Saleh - Composition and Music

Ahmed Saleh is a musician, composer and sound artist from Alexandria, Egypt. He has become one of the spearheads of the electronic music scene in Egypt. (Press - Cairoscene Magazine - March 2015). Saleh's experience as a visual artist had a great influence on his music. He composed his first live solo set and performed at the 100LIVE festival in 2009. Saleh is a member and one of the founders of the well-known band Telepoetic, he composed the soundtracks for many independent films, contemporary dance shows and theatre. In 2014, he was part of the Jazz Nomades project and performed at the La Voix Est Libre festival (France). Saleh's music has been played on many radio shows in Poland, the US, Italy, Germany, France, London and Egypt.

Romain Guion - Coach & Outside Eye

is a performer, dance educator, festival curator and cultural manager with a 25-year career in the performing arts. He trained at the Conservatoire National Supérieur de Musique et de Danse in Paris and has subsequently been a member of various international dance companies including Charleroi-Danses, National Dance Company Wales, Dance Theatre of Ireland, John Scott's Irish Modern Dance Theatre, Gelabert-Azzopardi Companya de Dansa, Eun Me Ahn Dance Company, PVC-Stadttheater Freiburg, Staatstheater Mainz, Constanza Macras-Dorky Park and les ballets C de la B, with whom he performed C(H)OEURS and Nicht Schlafen. In addition to his performing career, Romain collaborates in the creation of dance, music, theatre and opera productions with artists such as Alain Platel (Coup Fatal), Martin Zimmermann (Good Bye Johnny; Danse Macabre), Koen Augustijnen (Sehnsucht, limited edition; Dancing Bach), Eugénie Rebetez (Bienvenue), Francesca Foscarini (Animale) and Juliette Navis (Tout ce qui reste; La timidité des arbres). Romain curates the Berlin dance festival LUCKY TRIMMER and the professional training of Tanzhaus Zürich. He is artistic coordinator of the collective The Field and artistic director of Brückerei, a platform for choreographic development. In 2019, Romain received a cultural award from the city of Zurich. In 2021, Romain graduated with a Master's degree in Cultural Management from Leuphana University. In his master's thesis, he investigated environmental sustainability in the European contemporary dance sector.

David Baumgartner - Lighting Design

is the technical director of the Tanzhaus Zürich, a freelance lighting designer, former cultural manager and has been working on the stages of Europe for 20 years. He completed his training at the IHK Hamburg to become a master of event technology in the field of lighting. He has been technical director at the Tanzhaus Zurich for seven years, before that he was technical director at the Theater Tuchlaube in Aarau. He began his technical and artistic career at the Sophiensaele in Berlin. In addition to his employment, he develops lighting designs for various companies and accompanies them on tours throughout Europe. Most recently he has worked with artists such as Isabel Lewis, Tabea Martin and Alexandra Bachzetsis. He is always happy to work in new places and with different people, and has, for example, been the technical director for the festivals zürich moves! and fanfaluca Aarau.

Simon Froehling - Dramaturgical support Tanzhaus Zurich

Simon Froehling, born 1978, is a Swiss-Australian dual citizen and lives as an author and dramaturge in Zurich. He has published two novels ("Lange Nächte Tag" and "Dürrst", shortlisted for the Swiss Book Prize 2022, both published by Bilgerverlag) and written more than a dozen full-length plays and radio plays for Swiss and German stages and radio stations. He has won various prizes for his work and was Writer in Residence at the German House at New York University. Simon is also involved in the performing arts as a freelance production dramaturge (including for the UTOPISISTAS led by Jenna Hendry) and as a lecturer, external mentor and expert, including for the Zurich University of the Arts ZHdK, the Cultural Foundation of the Canton of Thurgau and the Albert Köchlin Foundation. In addition to his freelance work, he is deputy artistic director of the Tanzhaus Zürich and also heads the dramaturgy pool. In the course of this he accompanies productions by artists and groups such as Eugénie Rebetez, Isabel Lewis & The Field, Ivy Monteiro, Lea Moro, Valerie Reding and cie. zeitSprung as well as national and international guests in residence. He also supervised the young talent platforms SHOW-OFF (2020 & 2022) and kicks! (2021) as a coach.

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